Online review: Leeds Philharmonic Chorus, St Edmunds Roundhay, Saturday 16th November 2024: Leeds Philharmonic Chorus programme, conducted by David Hill MBE. The evening opened with Eternal Light: A requiem by Howard Goodall CBE and was completed with Feel the Spirit by John Rutter CBE. Accompanied by Organ, Piano and Harp. From our Mezzo soloist Merel Megali Cox:

Online review: Bradford Cathedral – 4th March 2023 Premiere of Organ and Percussion Arrangement. I should be grateful if you would pass on my thanks to the members of the Leeds Philharmonic Chorus for giving such a superb concert on the 4th of March and for including my music in it! What an innovative programme - full

Press review: Leeds Philharmonic Chorus, Bradford Cathedral, Saturday 4th March 2023: Two of the three composers in this bold Leeds Philharmonic Chorus programme, conducted by Joseph Judge, are happily still with us. The evening opened with music by Leonard Bernstein whose iconic legacy as conductor, composer and humanitarian lives on. Bernstein’s exuberant Chichester Psalms is his most

Press review: Leeds Cathedral, Saturday 26th November 2022:John Rutter’s Requiem (1985) and Gabriel Fauré’s, composed almost a century earlier, could be said to form a concert pairing made in heaven.Each work lasts around thirty-five minutes and is scored for soprano and baritone soloists, mixed chorus, organ and orchestra. Fauré and Rutter focus on the true meaning of the

Audience review: Bradford Cathedral, Saturday 25 March 2022: Conductor: Joe Judge Soloists: Rachel Speirs & Graham McCusker Piano: Chris Pulleyn and Philip Voldman Harp: Georgina Wells Timpani: Mark Concar "Brahms German Requiem is indeed magnificent, and your outstanding performance was both intimate and majestic, tender and jubilant, just what is needed in these dark days that compel

Press review: Leeds Town Hall, Sunday 31 October 2021: Orchestra of Opera North Conductor: Garry Walker Soloists: Sophie Bevan & Claudia Huckle The Cathedral-like ambience of Leeds Town Hall has, on numerous occasions since the 1950s, provided an unforgettable setting for Gustav Mahler’s colossal ‘Resurrection’ Symphony No 2 in C minor. This is Mahler at his most