‘The Leeds Philharmonic Society is the senior choir in the city by date of foundation and by virtue of its continued and very distinguished programme sustained annually since 1870.’
Damnation at its most uplifting thanks to Berlioz and the Hallé
Press review Bridgewater Hall, Manchester, Sunday 10th February 2019: Berlioz’s standing in Britain – long greater than in his native France – can only have been further bolstered by the Hallé’s uplifting account of The Damnation of Faust on Sunday evening. This extravagant ‘Dramatic Legend’ – performed here as part of the 150th-anniversary commemorations of the composer’s
The Damnation of Faust
Press review Bridgewater Hall, Manchester, 10th February 2019: Freely adapted from Goethe, The Damnation of Faust insinuates, idles, roars, croons, swells, bores, hectors, fascinates and dazzles. Berlioz’s 1846 ‘légende dramatique’ is a gluttonous, garrulous, attention-seeking guest in any concert hall. Not quite an opera, it plays almost as cinema: zoom, pan, fade, jump-cut. For each sweet blade of
Black Dyke Band and The Phil
Press review Black Dyke Band and Leeds Philharmonic Chorus, Handel’s Messiah, Leeds Town Hall, Saturday 8th December 2018: A performance of Handel’s sacred oratorio with the orchestral accompaniment replaced by a brass band is probably anathema to purists. I have to say that, for me and I sensed many others, the Black Dyke Band’s lightness of touch
Airedale Symphony Orchestra with The Phil 2018
Press review Leeds Town Hall, Sunday 21st October 2018: A richly varied programme marked the centenary of the 1918 Armistice and the Airedale Symphony Orchestra’s own 120th anniversary. ASO conductor John Anderson opened with Sir Edward Elgar’s swaggering Cockaigne Overture ‘In London Town’. Subtle orchestral colours were illuminated in the final bars by the glorious sonorities of the
The Damnation of Faust 2018, Yorkshire Post
Press review Leeds Town Hall, Saturday 12th May 2018: For their annual joint presentation, the Leeds Festival and Philharmonic Choruses had made the brave decision to perform Berlioz’s operatic oratorio, Le damnation de Faust, a work that in recent times has slipped from the concert repertoire. It’s a story of Faust falling in love with Marguerite, who
The Damnation of Faust 2018, T&A
Press review Leeds Town Hall, Saturday 12th May 2018: Berlioz’ description of his vast ‘Dramatic Legend’ based on Faust’s pact with the devil (Mephistopheles) as ‘an opera without decor or costume’ is curiously apt when taken in the context of his works specifically written for the opera house. This revolutionary composer never surpassed the kaleidoscopic colours or